AGIBOT staged a 60-minute live gala performance titled “AGIBOT NIGHT” in Shanghai, featuring humanoid robots as the primary performers across dance, music, comedy, and stage illusion segments. The event was presented as a fully robot-led live show, with humanoid systems occupying central roles throughout the program rather than serving as supporting elements.
According to the company, the production was designed to demonstrate the operation of multiple humanoid robots at scale within a live cultural setting. The show involved continuous performances requiring sustained motion, coordination, and timing across individual and group routines. Robots executed choreographed dances, rapid directional changes, and synchronized formations, with transitions between segments occurring without interruption.
In addition to robot-only performances, several segments paired robots with human performers. These included coordinated dance routines involving both humans and humanoid robots, as well as stage magic and comedic sketches structured around interaction among multiple robotic units and human participants. The program also incorporated appearances by quadruped robots alongside humanoid models in group performances.
Qiu Heng said the event was intended to demonstrate how embodied intelligence systems can function beyond laboratory or industrial environments, emphasizing sustained operation and coordination among multiple robots in real time.
The show featured robots from across AGIBOT’s product portfolio. Full-sized A2 Series humanoids were used for presentations and navigation tasks, while smaller X2 Series robots were deployed for conversational and expressive roles. Industrial-oriented G2 Series humanoids appeared in performance segments requiring force control and precision, and D1 Series quadruped robots were incorporated into routines emphasizing mobility and stability.
Rather than focusing on individual technical components, the company positioned the event as a demonstration of consistency and reliability across different robot types operating simultaneously. AGIBOT stated that, as of the end of 2025, it had delivered more than 5,000 humanoid robots globally, with deployments spanning manufacturing, logistics, education, research, and service-oriented environments.
The timing of the event during the Chinese Spring Festival placed the performance within a period traditionally associated with family gatherings and cultural activities. By situating humanoid robots in entertainment and live performance contexts, the production explored the use of robotic systems in social and cultural settings alongside their established roles in industrial and commercial applications.
